A Beloved Performance: Reading between the Lines

Abstract : American author Toni Morrison won the Pulitzer Prize in Fiction (1988) and the Nobel Prize in Literature (1993) following the publication of Beloved in 1987. Based on a true story, the novel is laced with magical realism that brings shocking aspects of American slave history to light. Morrison’s unforgettable character “Beloved” was later explored through British actress Thandie Newton’s haunting interpretation in a controversial cinematic version directed by Jonathan Demme in 1998. This article suggests that in spite of criticism leveled at the film for exceeding the boundaries of Morrison’s text, Demme’s adaptation remains justified and hints that echoes of the deeply-entrenched attitudes that fostered the institution of slavery in the United States still linger nearly a century-and-a-half after abolition.
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Article dans une revue
Babel : Littératures plurielles, La Garde : Faculté des lettres et sciences humaines - Université de Toulon et du Var, 2011, pp.105--120. 〈10.4000/babel.152〉
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https://hal-univ-tln.archives-ouvertes.fr/hal-01326926
Contributeur : Cécile Ferran <>
Soumis le : lundi 6 juin 2016 - 10:40:12
Dernière modification le : jeudi 15 mars 2018 - 16:56:04

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Angela Christie. A Beloved Performance: Reading between the Lines. Babel : Littératures plurielles, La Garde : Faculté des lettres et sciences humaines - Université de Toulon et du Var, 2011, pp.105--120. 〈10.4000/babel.152〉. 〈hal-01326926〉

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